Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 11, 2010 | Christie's | New York | Post-War and Contemporary Art Evening Sale | 42 | $****** - ****** | Self-Portrait | |||
Nov 13, 2002 | Christie's | New York | Post-War & Contemporary - Evening Sale | 8 | $****** - ****** | Self portrait | |||
Nov 11, 1986 | Sotheby's | New York | Contemporary Art from the Estate of Robert Scull | 17 | Estimates not disclosed | Self-portrait |
paintings
50.8 x 81.3 cm (20 x 32.01 in)
diptych--synthetic polymer, metallic paint and silkscreen inks on canvas
signed twice, dated and inscribed 'to Ethel & Bob Scull sincerely Andy Warhol ANDY WARHOL 64' (on the overlap of the red panel); signed again 'ANDY WARHOL' (on the overlap of the blue panel)
Leo Castelli Gallery, New York. Stable Gallery, New York. Robert C. and Ethel Scull, New York.
Their sale; Sotheby's, New York, 11 November 1986, lot 17. Gerald and Sandra Fineberg, Boston.
Their sale; Christie's, New York, 13 November 2002, lot 8.
Acquired at the above sale by the present owner.
Stockholm, Moderna Museet, Andy Warhol, February-March 1968, p. 4 (illustrated). Pasadena Museum of Art; Chicago, Museum of Contemporary Art; Eindhoven, Stedelijk von Abbemuseum; Museé d'Art Moderne de la Ville de Paris; London, Tate Gallery and New York, Whitney Museum of American Art, Andy Warhol, May 1970-June 1971, p. 95 (illustrated, Pasadena and Chicago). Kassel, Documenta 7, vol. 1, June-September 1982, p. 64 (illustrated). New York, Museum of Modern Art; London, Arts Council, South Bank Centre, Hayward Gallery and Paris, Museé National d'Art Moderne, Centre Georges Pompidou, Andy Warhol: A Retrospective, February 1989-September 1990, p. 83, no. 2 (illustrated in color).
G. Glueck, "Renoir 'Robbed' Them," The New York Times, 17 January 1965, Section 2, p. 20 (illustrated). T. Hess, "Private Faces in Public Places," Art News, vol. 63, no. 10, February 1965, p. 38 (illustrated). C. Willard, "Eye to I," Art in America, vol. 54, no. 2, March-April 1966, p. 58 (illustrated). U. Kultermann, The New Painting, New York, 1969, p. 27, no. 61 (illustrated). J. Coplans, Andy Warhol, New York, 1970, p. 95 (illustrated). R. Crone, Andy Warhol, New York, 1970, p. 158, nos. 164 and 165 (illustrated). J. Wilcock, The Auto-Biography and Sex Life of Andy Warhol, New York, 1971, p.69 (illustrated). A. Boatto, "Andy Warhol," Data, vol. 1, no. 1, September 1971, no. 3 (illustrated). R. Crone, Das Bildnerische Werk Andy Warhols, Berlin, 1976, nos. 324-325 (illustrated). J. Stephan, Andy Warhol: A Radical Theological Study, Ann Arbor, 1976, p. 144 (illustrated). L. Thorpe, Andy Warhol: Critical Evaluation of His Images and Books, Ann Arbor, 1980, fig. 1.1 (illustrated). Gendai Hanga Center, Andy Warhol, Tokyo, 1983, p. 69 (illustrated). D. Bourdon, Warhol, New York, 1989, p. 158, pl. 153 (illustrated). L. Romain, Andy Warhol, Munich, 1993, no. 134 (illustrated in color). G. Frei and N. Printz, eds., The Andy Warhol Catalogue Raisonné of Paintings and Sculptures 1964-1969, vol. 2A, New York, 2002, p. 245 and 267, no. 1245 (illustrated in color).
